Tag: Napalm Records

Fejd – Storm Review

I’m sure that after experiencing the latest offerings from Elvenking and Eluveitie, the last thing many of you are looking for is more acoustic folk metal. Although I’ve only heard the latter and therefore cannot

Alestorm – Black Sails At Midnight Review

Originally written by Ross Main. We Scots have given the world some pretty awesome stuff actually; fine whiskeys, mythological beast sightings, the television set, rain and some pretty entertaining stereotypes. However, our crowning glory and

Týr – By The Light Of The Northern Star Review

originally written by Chris McDonald This is my first experience with Týr, an outfit who’s garnered an unusual amount of popularity given their remote origins and their familiar guitar-playing-Viking shtick. I was interested in finding

Jungle Rot – What Horrors Await Review

It seems like most every Jungle Rot review of the last ten years or so starts something like this: “Ever heard a Jungle Rot record? Then you know what you’re getting here.” Kenosha, Wisconsin’s most

Hatesphere – To The Nines Review

Originally written by Jordan Campbell Give ’em points for persistence. Hatesphere have been cranking out pissed-off Gothenthrash practically non-fucking-stop since 2001, peppering the metal masses with ‘roid rage speedballs (and awful cover art) to the point of

Grave Digger – Ballads Of A Hangman Review

For nearly three decades, Germany’s Grave Digger has soldiered on, (mostly) bringing us some killer epic speed metal. (They’d probably love to forget their brief departure into Bon Jovi-esque pop metal—under the abbreviated name Digger—as

Isole – Silent Ruins Review

These Swedes are quickly becoming one of the more prolific acts in the epic doom metal genre. 2008 not only saw the release of Bliss of Solitude, but Bryntse and Olsson’s epic doom take on

Battlelore – The Last Alliance Review

Originally written by Kris Yancey The first I heard of this Finnish septet of orc-worshipping folk nuts was their sophomore effort Sword’s Song, and I didn’t like it then, and I don’t like it now,