Satan’s Wrath – Galloping Blasphemy Review
Greek duo Satan’s Wrath, featuring former Electric Wizard bassist Tas Danazoglou on vocals, drums and bass and guitarist Stamos K, has issued one of the most aptly named debuts in recent memory. Galloping Blasphemy is …
The Sword – Apocryphon Review
Few young metal bands have had more success in recent years than The Sword. The band’s debut, Age of Winters, while critically acclaimed, met with more than its fair share of detractors claiming the band …
Hooded Menace – Effigies Of Evil Review
I was quite taken with Hooded Menace’s debut, Fulfill the Curse, when I reviewed it some years ago. The band’s mixture of Candlemass, early Cathedral and Asphyx hit the right spots for me. Despite adhering …
Hour of 13 -333 Review
Hour of 13 seemed to be a band on the rise following the release of its last album, 2010’s The Ritualist. On the strength of that release the band was signed to Earache Records, which …
Riffology 112 – Kreative Evolution: Part IV
Class is back in session with lesson number four in the Kreative Evolution series. In case you have been too hungover to make it to the last three classes, we have been engaged in a …
Sophicide – Perdition Of The Sublime Review
Perdition of the Sublime is the debut album from Germany’s Sophicide. Sophicide is a technical death metal band originally formed as a one-man project by Adam Laszlow (though now it’s a duo, after the addition of …
Grave – Endless Procession Of Souls Reveiw
Entombed is AWOL, and Dismember is kaput, but Grave just keeps on trucking. The band was never quite as popular as its fellow Stockholm sound pioneers, but it has certainly been the most consistent of …
Coven – Worship New Gods Review
As metal fans, I think we are all, to some extent, treasure hunters; we love to discover new music. After all, finding new metal to listen to is most likely the reason you come to …