Category: Reviews

Owl – Ghosts Of Summer Review

Bonn, Germany’s Owl has spent more than a decade exploring the spectrum between extremely heavy doom/death and spaced out ambience, with most releases blending the two to a certain extent. Multi-instrumentalist and vocalist Christian Kolf

Ecclesia – Ecclesia Militans Review

As Ecclesia would tell it, their sound recalls Candlemass, Solstice, and Tony Martin-era Black Sabbath. And, yes—all of that is true. But there’s also something more going on here. It’s that something more that sold

Slimelord – Chytridiomycosis Relinquished Review

Do you remember the hit show Figure it Out? If you’re like me, a millennial infatuated with the Nickelodeon culture of the ’90s and early 2000s, it was absolutely one of your favorite shows. If not

The Chronicles Of Father Robin – The Songs & Tales Of Airoea Book 3: Magical Chronicle (Ascension) Review

[Cover art by Lars Bigum Kvernberg] This is the third and final installment of our review of The Songs & Tales of Airoea, a trilogy released by the band, The Chronicles of Father Robin. Below

Found Sounds And Frig You Friday Presents: Vol 13, Maybe Frig Yourself On A Monday?

Fuck me, there is a LOT of music out in the world. Friends, it has been a few months since we fucked our Friday together. Our mission here at Fancy Yarn Factories & Fuck You

Glyph – Honor. Power. Glory. Review.

[Cover artwork by Möch Luthfi / Luth Slaughter Art] Here is a random drawing of Roargar the Macho Dragon shortly after he listened to Honor. Power. Glory. for the very first time. Following this moment,

Borknagar – Fall Review

There is something beautiful about Borknagar’s career. In many ways, they’re a poster band for consistency. Their sound has evolved so much over the years that they probably lost a few second-wave-of-black-metal-die-hards. Still, for those

Traveler – Prequel To Madness Review

Coming four years after Termination Shock, and boasting a new rhythm section, no less, Traveler’s third album is, strangely, a bit of a wild card. Yes, the self-titled debut and the band’s sophomore release were