Category: Reviews

Rainbow – Live In Germany, 1976 Review

These days live albums are not valued in the same way they were a few decades ago. Today, more often than not, they are tossed off to fulfill a contractual obligation and rarely receive much

Glorior Belli – The Great Southern Darkness Review

The city of New Orleans was founded by the French in the early 18th Century, and it has a long history of French-influenced culture in its food, music, and architecture. From the perspective of a metal

Opeth – Heritage Review

Originally written by Rae Amitay It baffles me that purist types beg for vinyl this and analog that, but when a reputable and well-loved band releases a throwback album, many of those aforementioned people pitch

W.A.I.L. – Wisdom Through Agony Into Illumination And Lunacy Review

In October of 2009, a mysterious outfit from Kristiinankaupunki, Finland, released a vinyl-only LP of its only full length to date, Wisdom through Agony into Illumination and Lunacy. Fans of Finnish doom and black metal

Arch/Matheos – Sympathetic Resonance Review

One of the things I’m very thankful for is the fact that I was lucky enough to be alive and directly on the front-lines of heavy metal throughout the 80s as an angry/pimply/hormonally-challenged teenager. I’ll

Myrath – Tales Of The Sands Review

Tunisia’s principal metal export Myrath is back with another album that wallows in a bland lather of Orphaned Land’s Middle Eastern progressive metal and fairly standard if muscular power metal. The ripping neoclassical/medieval power metal

Vader – Welcome To The Morbid Reich Review

Originally written by Rae Amitay Vader has combined blistering speed and technicality with memorable songwriting for almost thirty years. Their ninth studio album, Welcome To The Morbid Reich, shows the band in fine form with

Devin Townsend Project – Deconstruction Review

Jordan Campbell’s take: The Devin Townsend Project’s first two excursions, by most accounts, were resounding successes. Ki stands as one of the most adventurous and unique albums of Townsend’s career, and Addicted’s boisterousness is still