Category: Reviews

Secrets Of The Moon – Privilegivm Review

Originally written by Jordan Campbell The revelation of Secrets of the Moon was an inadvertent one. Many moons ago (ha!), I was working through an arduous Antaeus infatuation, which began with with a late-to-the-party discovery of Cut Your Flesh and

WhiteBuzz – Book Of Whyte Review

Originally written by Chris Chellis. WhiteBuzz come careening out of the gate with the sludge of EyeHateGod and the enchanting vocal melody of Om on their debut effort, Book of Whyte. An hour-long affair that boasts just five tracks, the first

The Project Hate MCMXCIX – The Lustrate Process Review

originally written by Jim Brandon I think there’s something to be said for consistency, both good and bad, and The Project Hate is most definitely a consistent band. You can almost guarantee that each new

Hypocrisy – A Taste Of Extreme Divinity Review

Originally written by Erik Thomas Hypocrisy’s long career has been full of ups and downs. From the brutal debut, Penetralia, the classic Osculum Obscenum, the polarizing style shift of The Fourth Dimension, the alien/UFO obsession of Abducted andHypocrisy, the band’s so

Nile – Those Whom The Gods Detest Review

originally written by Chris McDonald Nile’s growth rate has been off the charts since the release of what was, in my view, their break through album in Annihilation of the Wicked. Between the long-awaited arrival

Converge – Axe To Fall Review

Originally written by Doug Moore. If any one band can justifiably be deemed the ‘leader’ of international metalcore, that band is Converge. On the verge of their third decade of existence, these Masshole madmen have played

Slayer – World Painted Blood Review

Slayer. There is likely a very special place in your heart for that name and the music it represents. Whether it was Tom Araya’s banshee wail kicking off“Angel of Death,” the damning intro of “Hell

SubArachnoid Space – Eight Bells Review

Instrumental space-rock unit SubArachnoid Space returns with their ninth full-length of grooving, crashing, fx-laden psychedelia. From the opening cascade of “Lilith,” with its snaky bassline beneath twisting drums and swirling guitars, the band’s sound is