Category: Reviews
Worm – Foreverglade Review
There’s an odd inversely proportional relationship between the clarity of Worm’s logo and the clarity of — or at least, the quality of — their musical output. On their (then, his) first record, 2017’s Evocation …
Outre-Tombe – Abysse Mortifère Review
[Album artwork by Matt “Putrid” Carr] There’s something magical concerning the way a number of us grew to accept brutality as a positive force in life. If you’re lucky enough to have the spectre of …
Abstracter – Abominion
Oakland, California’s Abstracter have been digging themselves a hole since 2012. Their debut album, Tomb Of Feathers, was but scratching at the topsoil like edging a grave plot with a 48″ Wood Handle Transfer Shovel (available …
U.D.O. – Game Over Review
Part of me wants to say something like “It’s surprising that, forty-something years into his career, Udo — and by extension U.D.O. — is still cranking out albums as good as Game Over and making …
Gus G. – Quantum Leap Review
There are only a handful of name-brand metal guitarists. Gus. G. is certainly one of them, and that was before he joined the Ozzy train in 2009. Firewind, Dream Evil, Nightrage, and Mystic Prophecy—he was …
Atræ Bilis – Apexapien Review
[cover art by Eliran Kantor] The term bouncy applies to many things in life, including: A ball that you throw against the wall when you’re bored An adorable kangaroo or rabbit An inflatable castle that …
Tentation – Le Berceau Des Dieux Review
They say French is the language of love and romance. Which is probably why I don’t speak it very well. HEY-OH! Thanks. I’ll be here all week. Try la ratatouille… But soyons sérieux, folks, if …
Razoreater – Purgatory Review
These British blasters celebrate their decennial this year, ten years of ferocious death-tinted grinding, even if they’ve been relatively silent for the last half of that. But five years out from 2016’s Vacuum Of Nihil …