Annihilator – Ballistic, Sadistic Review

The ups and downs of Annihilator’s 35-plus year career are dizzying on every level, from lineup churn, label changes, and good old fashioned album quality. The one consistent, of course, has been mastermind Jeff Waters,

Staff Infections – February 2020

Welcome, friends, to another edition of Staff Infections, wherein the Last Rites staff share what we’ve been listening to for the past month or so. And Christ on a pony, what a horrible god-damned month

In Crust We Trust: Vol 13

Howdy, comrades! Welcome to the first volume of In Crust We Trust for 2020. Thanks to everyone who paid a visit to In Crust We Trust’s end-of-year double-feature back in December. If you were kind

Primeval Mass – Nine Altars Review

Black metal is an abomination and a leech of a genre—an unholy bastard of the New Wave of British Heavy Metal where Venom emerged almost as a joke with over-the-top aesthetics and attempts to be

Blaze Of Perdition – The Harrowing Of Hearts Review

In the deep corners of the dark internet (not the “dark web,” because who even understands what in the hell that is) sit angry, middle-aged men and maligned teenagers championing the cause of trve kvlt

God Dethroned – Illuminati Review

For the most part, melodic death metal and I do not mix. It’s not that I dislike it, per se, but mostly, I just don’t care about it — it so rarely interests me that

Ihsahn – Telemark EP Review

Imagine waking up in the morning and looking in the mirror only to see the face of Vegard Sverre Tveitan looking back at you. Imagine the pressure of knowing that you were responsible for Emperor’s

Diamonds & Rust: Sodom – Agent Orange

[Album artwork: Andreas Marschall] Gelsenkirchen, Germany, early 1980s: A young Thomas Such finds himself not particularly taken with the notion of spending a perfectly good life buried in the depths of the local coal mines.

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