Human Cull – Revenant Review

Eighteen songs in eighteen minutes. There’s a balance in that, a certain perfect economy. No time for funny business, so give none; no time for prisoners, so take none. Get in; kick ass; get out.

Last Rites’ Facebook Albums Of The Week: May 27th – June 2nd

“Album Of The Day” is a Last Rites Facebook feature we started whose purpose is quite straight-forward: highlight one album per day and say a few words about it. Understanding that not everyone chooses to

Iron Cemetery – Iron Cemetery EP Review

Who would’ve guessed that the key to making a top-shelf death/thrash record might involve fun. You remember fun—that thing that occasionally happens after getting yelled at by your boss, getting yelled at by the internet,

Ritual Necromancy – Disinterred Horror Review

Portland is a land known for a few things. You’ve got gray weather, rain storms, the occasional forest fire, boutique/artisanal/bespoke type crafts, that show Portlandia which makes fun of all the aforementioned things and, of

Knelt Rote – Alterity Review

FAST RITES: because sometimes brevity is fundamental. Knelt Rote isn’t much for subtlety. This Portland-based trio began as a grinding noisecore outfit, but by the time of 2012’s Trespass, they’d left that behind in favor

Uada – Cult Of A Dying Sun Review

Uada comes to us from Portland, but instead of sounding like 1,000 other Pacific Northwest black metal bands, the particular brand offered on sophomore album Cult of a Dying Sun sounds pulled from 90s Sweden.

Grayceon – IV Review

The California trio Grayceon’s music is, admittedly, difficult to categorize. (While this means there is likely no one right answer, it does not mean there are no wrong answers: do not call it sludge. This

Nequient – Wolves At The Door Review

Nequient (adj.) — incapable. I had to look that up. So we all learned something here today… Moving forward: I’m not telling anyone anything they don’t already know, of course, but the past few decades

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