Monster Magnet – Last Patrol Review

To get the uninitiated up to speed: New Jersey’s favorite drug-riddled space-cavemen Monster Magnet released two jaw-dropping, ear-exploding, mind-expanding, cosmos-rending classics in 1992’s Spine of God and 1993’s Superjudge. Main magnet Dave Wyndorf and crew

Skeletonwitch – Serpents Unleashed Review

Originally written by Matt Longo I don’t know how much of the old “if it ain’t broke don’t fix it” mantra is consciously incorporated into the lives of Skeletonwitch, but I will point out that Serpents

Germ – Grief Review

Do vocals alone make an album metal? If Martin van Drunen fronted an album featuring a classic three-piece jazz combo playing standards from the great American songbook, would you be required to call it metal?

Inquisition – Obscure Verses For The Multiverse Review

2011’s Ominous Doctrines of the Perpetual Mystical Macrocosm was a milestone of sorts for long running black metallers Inquisition, if only because it gained them a wider audience than ever before in their history, not

Jumalhamara – Resitaali Review

That right there is a piece entitled White Painting [Three Panel], done in 1951 by the world renowned artist, Robert Rauschenberg. (Latex paint on canvas, 72″ x 108″ – Collection SFMOMA.) This piece, along with

Domovoyd – Oh, Sensibility Review

Originally written by Ian Chainey Domovoyd‘s debut long-player, Oh, Sensibility, is psych-minded astro-metal charged by interstellar gamma rays. Oh, sorta like Ufommamut? The doomonauts slather these songs with jams, vibrating the soul with effects-heavy amp

Casket Vs. Sewercide – Unholy Deathrashing Anarchy

Originally written by Jordan Campbell Unholy Anarchy Records is putting together a gnarly little roster. The upstart vinyl-chuckers made minor waves by releasing the excellent Ashencult / Mephorash split  back in September, as well as

Through The Never And Back: One Roadie’s Journey Through Hell For… What?

Say what you will about Metallica in the new millennium, they’re not afraid of trying something new. Not content to release a mere concert film, bored as they were with the usual stage-to-screen transition, they’ve

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