Tag: Death

Blockheads – Trip To The Void Review

Fast Rites: because sometimes brevity is fundamental. At the risk of repeating myself (as if this would be anywhere close to the first time for that), France’s Blockheads are far and away the best grindcore

Track Premiere: Chaos Perversion – “Entangled In The Roots Of Death”

If you dig deep enough, there are about as many interpretations of black metal as there are black metal bands. Regardless of the details, at its core, black metal is about conflict. Man vs nature,

Best of 2021 – Chris C: It’s Been A Year

This has been a strange year in music. Blood Incantation announced their hour-long, ambient Century Media debut. Andi Deris proved the best bobbing head on the new and remarkable Helloween hydra. Melodic black metal not

Abscession – Rot Of Ages Review

Put simply, Rot of Ages finds the buzzsaw in good hands. It won’t bowl you over with inventiveness. But a good bowl-over will be had nonetheless. Good editing is at least half the battle when

Concrete Winds ‒ Nerve Butcherer Review

Entering “racket” into ye olde Dictionary.com yields several results, with the following coming up under noun definitions: Social excitement, gaiety, or dissipation. Legolas and Gimli took part in the celebratory racket following the victorious battle

Mortiferum – Preserved In Torment Review

Fast Rites: because sometimes brevity is fundamental. Even using the most expansive definition, death metal is still not even 40 years old. And yet, on Preserved in Torment, Mortiferum plays the kind of death metal

Upon Stone ‒ Where Wild Sorrows Grow Review

Fast Rites: because sometimes brevity is fundamental. LA’s Upon Stone prefer their melodeath the way it was originally played in Sweden in the early and mid-90s: equal parts classy and brutal, haggard in the vocal

Worm – Foreverglade Review

There’s an odd inversely proportional relationship between the clarity of Worm’s logo and the clarity of — or at least, the quality of — their musical output. On their (then, his) first record, 2017’s Evocation