Category: Reviews

Morta Skuld – Through The Eyes Of Death Review

By and large, the works of 90s Midwestern death metal outfit Morta Skuld have been consigned to obscurity, a casualty of time and fading memory. The Relapse-released Through The Eyes Of Death is a compilation

Leviathan – True Traitor, True Whore Review

originally written by Chris McDonald Since its birth as a musical style, many have endorsed and embraced metal as an escape from the rigors of everyday life as opposed to a reflection of it; an

Insomnium – One For Sorrow Review

Originally written by Rae Amitay Insomnium takes the rather vague classification of ‘melodic death metal’ and creates their own melancholic, complex, and driving definition. Above The Weeping World was a masterpiece; Across the Dark felt a

Krisiun – The Great Execution Review

For no real reason other than the foolish human yearning for order and symmetry, I’ve often thought of the ‘Big Three’ of German thrash – Sodom, Destruction, and Kreator – as having a cross-hemispheric counterpart

Sanguis Imperem – In Glory We March Towards Our Doom Review

To take Sanguis Imperem as straight-up death metal is a mistake. These Californians (also active as live backing for similarly-minded noiseniks Nocturnal Blood) clearly take their inspiration from that murky, ill-defined, yet fertile territory often

Blut Aus Nord – 777: The Desanctification Review

Originally written by Jordan Campbell It’s no secret that Blut Aus Nord has been on an absolute creative tear over the the past few years. After Odinist‘s baby steps, Memoria Vetusta IImarked a glorious emergence

Sarpanitum – Fidelium Review

originally written by Chris McDonald Sarpanitum’s full-length debut, Despoilment of Origin, was a masterful display of monolithic blasting death metal that really opened my eyes to the potential of said style after being bored by

White Wizzard – Flying Tigers Review

It’s a given that everything new borrows and steals from the old, and while this platitude ought to liberate us critics from the tiresome debate over authenticity versus pastiche, there’s enough of a difference between