Category: Reviews
Morgue Supplier – Constant Negative Review
As can be deduced from the moniker, Chicago’s Morgue Supplier do not play deft and jazzy prog, but brutal and blasting grindcore, and have been doing so since 1999. Constant Negative is their latest, containing …
CoeXistence – Carrion Comfort Review
Coexistence began as an internet collaboration between a dude in France and another in Sweden, who wrote and then shared (emailed) pieces of the songs that ultimately came to comprise Carrion Comfort, their demo EP. …
Witches Mark – A Grim Apparition Review
Witches Mark’ s debut EP, A Grim Apparition, features the sort of kickass cover art that would have had me buying it blind back in the day. Fortunately, the music contained therein avoids the cursed …
White Wizzard – Over The Top Review
Originally written by Ross Main. White Wizzard are the little puppy dogs of metal. Bounding with youthful energy and enthusiasm, there is something so innocent and loveable about them, that you really don’t mind having to …
Squash Bowels – Grindvirus Review
Squash Bowels‘ previous full-length—2005’s Love Songs—was my introduction to these Polish grinders, despite that they’d been around in one form or another for a decade prior. That disc was the band’s first release for their …
Genitorturers – Blackheart Revolution Review
Originally written by Ross Main. Although sex and metal are far more powerful and exhilarating activities when indulged individually, Floridian filth-merchants Genitorturers *wince* aren’t afraid to combine both at face value to create a fairly intriguing industrial …
Arcana Coelestia – Le Mirage De L’idéal Review
Before I get into the details of this gem, indulge me… Imagine standing in one of the world’s most spacious and majestic cathedrals. Every sound you make, from your softest steps to the slightest murmur, …
Teitanblood – Seven Chalices Review
originally written by Chris McDonald Sometimes you come across bands so transgressive in their approach that it seems pointless to judge them against even the loosest standards commonly accepted in music. Case in point, Teitanblood’s …