Category: Reviews
Knife – Knife Review
Knife’s Knife is as succinct as it is, well, cutting. And while the Motörhead, Midnight, and Venom comparisons will take few by surprise, there’s an undeniable vigor and charm to “Inside the Electric Church,” “K.N.I.F.E.,” …
Cradle Of Filth – Existence Is Futile Review
[Cover art by Arthur Berzinsh] First loves are a wild thing. Each experience is brand new, particularly if you find it in your teen years and elicits extreme positive and negative emotions. With nothing to …
First Fragment – Gloire Éternelle Review
[Artwork by Adam Burke / Nightjar Illustration] It’s probably not the best idea to kick things off by making an outlandish claim concerning First Fragment guitarist Phil Tougas being a shadowy villain bent on provoking …
Worm – Foreverglade Review
There’s an odd inversely proportional relationship between the clarity of Worm’s logo and the clarity of — or at least, the quality of — their musical output. On their (then, his) first record, 2017’s Evocation …
Outre-Tombe – Abysse Mortifère Review
[Album artwork by Matt “Putrid” Carr] There’s something magical concerning the way a number of us grew to accept brutality as a positive force in life. If you’re lucky enough to have the spectre of …
Abstracter – Abominion
Oakland, California’s Abstracter have been digging themselves a hole since 2012. Their debut album, Tomb Of Feathers, was but scratching at the topsoil like edging a grave plot with a 48″ Wood Handle Transfer Shovel (available …
U.D.O. – Game Over Review
Part of me wants to say something like “It’s surprising that, forty-something years into his career, Udo — and by extension U.D.O. — is still cranking out albums as good as Game Over and making …
Gus G. – Quantum Leap Review
There are only a handful of name-brand metal guitarists. Gus. G. is certainly one of them, and that was before he joined the Ozzy train in 2009. Firewind, Dream Evil, Nightrage, and Mystic Prophecy—he was …