Mortal Vision – Mind Manipulation Review

Without playing a note, Mortal Vision accomplish what even the most veteran bands often fail at—wearing band shirts that serve as semi-appropriate reference points for its sound: Sadus, Sodom, Voivod, and Cannibal Corpse. OK, so

Last Frites’ Halloween Riffathon

🎶Hey everybody have you heard the news? Last Frites is back in town…🎶 Maybe it’s just because I’m from the South, but there are few things in this world with as much regional and cultural difference

Cognos – Cognos Review

One of the perks of writing reviews is that you end up being exposed to a great number of oddities in the heavy music world. Among the pile of 700 OSDM records that come out

Upon Stone ‒ Where Wild Sorrows Grow Review

Fast Rites: because sometimes brevity is fundamental. LA’s Upon Stone prefer their melodeath the way it was originally played in Sweden in the early and mid-90s: equal parts classy and brutal, haggard in the vocal

Knife – Knife Review

Knife’s Knife is as succinct as it is, well, cutting. And while the Motörhead, Midnight, and Venom comparisons will take few by surprise, there’s an undeniable vigor and charm to “Inside the Electric Church,” “K.N.I.F.E.,”

Cradle Of Filth – Existence Is Futile Review

[Cover art by Arthur Berzinsh] First loves are a wild thing. Each experience is brand new, particularly if you find it in your teen years and elicits extreme positive and negative emotions. With nothing to

First Fragment – Gloire Éternelle Review

[Artwork by Adam Burke / Nightjar Illustration] It’s probably not the best idea to kick things off by making an outlandish claim concerning First Fragment guitarist Phil Tougas being a shadowy villain bent on provoking

Worm – Foreverglade Review

There’s an odd inversely proportional relationship between the clarity of Worm’s logo and the clarity of — or at least, the quality of — their musical output. On their (then, his) first record, 2017’s Evocation

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