Slimelord – The Delta Death Sirens (Reissue) Review

Last May, Cryptic Shift released Visitations From Enceladus, a take on classic-styled tech-death / thrash that our very own Mr. Duvall described as “flashy, brash, sassy, cheeky, boisterous, and pretty wild” and also thus: “indebted

Wheel – Preserved In Time Review

[Cover artwork: Frammes Kalender // Koloman Moser] Most of us have been in the game long enough to recognize the dangers associated with statements related to “this is the best material [band] has recorded to

Spellforger – Upholders Of Evil Review

Looking at Spellforger’s name, logo and giant lava-snake cover art, it would be fair for you to mistakenly think this is a power metal album. Hell, take a look at Paladin’s cover in last week’s

Neil Merryweather & The Space Rangers – Kryptonite Review

Before we dive into the record, let us take a moment to just bask in the glory of that album art. The cover is important: It’s that first impression; the welcome banner that adorns the

Greenleaf – Echoes From A Mass Review

[Covert art by Peder Bergstrand] The most notable aspect of Greenleaf’s new album, Echoes from a Mass, is its tone. And that’s as it should be for any band playing any kind of music, but

Wharflurch – Shitslime Review

Some are born gross, some achieve grossness, and others have grossness thrust upon them. With apologies to ol’ Bill Shakespeare, Florida’s brilliantly named Wharflurch may as well have knocked down all three of those grossness

Steel Bearing Hand ‒ Slay In Hell Review

[Artwork by Vrugarthdoom] This album doesn’t waste a second of time, so let’s not waste any with this review. Slay In Hell, the sophomore album from Steel Bearing Hand, is pure, uncut heavy metal thunder

Witchseeker – Scene Of The Wild Review

Witchseeker hails from Singapore, but their brand of metal is a mostly Western one, a mash-up of NWOBHM trad and classic American-style speed-metal with just a dash of Hollywood glammy sleaze. So put on your

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