Witchtit – Intoxicating Lethargy Review

Fast Rites: because sometimes brevity is fundamental. Any alchemical brew is only as strong as that of its weakest components. When  potioncraft is handled lovingly, with each component carefully selected, harvested, and integrated to serve …

Cannibal Corpse – Violence Unimagined Review

[Cover Art by Vince Locke…Duh] Lineup changes border on being an inevitability for bands and that becomes a greater truth the longer a group exists. Drums (Paul Mazurkiewicz) and bass (Alex Webster) are the only …

Asphyxiate ‒ Altar Of Decomposed Review

[Cover artwork: Adi Dechristianze] If you wanted to give someone an example of a straight-down-the-middle form of brutal death metal, you could do much worse than selecting Indonesia’s Asphyxiate. While a whole heap of bands …

Moral Collapse – Moral Collapse Review

I was going to start this review with a short ovation about how great the band name Moral Collapse is for the modern day. Then I realized a bunch of people would respond about Dr. …

Slimelord – The Delta Death Sirens (Reissue) Review

Last May, Cryptic Shift released Visitations From Enceladus, a take on classic-styled tech-death / thrash that our very own Mr. Duvall described as “flashy, brash, sassy, cheeky, boisterous, and pretty wild” and also thus: “indebted …

Wheel – Preserved In Time Review

[Cover artwork: Frammes Kalender // Koloman Moser] Most of us have been in the game long enough to recognize the dangers associated with statements related to “this is the best material [band] has recorded to …

Spellforger – Upholders Of Evil Review

Looking at Spellforger’s name, logo and giant lava-snake cover art, it would be fair for you to mistakenly think this is a power metal album. Hell, take a look at Paladin’s cover in last week’s …

Neil Merryweather & The Space Rangers – Kryptonite Review

Before we dive into the record, let us take a moment to just bask in the glory of that album art. The cover is important: It’s that first impression; the welcome banner that adorns the …

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