Malokarpatan – Krupinské Ohne Review

[Cover artwork: Svjatogor] Over three albums in just under six years, Bratislava’s Malokarpatan have achieved a bit of a feat: they have managed to maintain their fun, slightly medieval aesthetic (both in their sound and …

In Crust We Trust: Vol 14

Kia ora, comrades. Welcome to In Crust We Trust: Vol 14. This month, I’ve supplemented the usual array of riotous EPs and LPs with a stack of recent demos. In fact, there’s a veritable Deafening …

Ambush – Infidel Review

[Cover Art by Alexander von Wieding] The long-established military tactic of the ambush is one that relies on the element of surprise. It also relies on your ability to draw the enemy into your trap …

Temple Of Void – The World That Was Review

When Temple Of Void released Of Terror And The Supernatural back in 2014, they had their sights set. The album sounded like proper death / doom ought to sound: not just slow death metal or …

Staff Infections – March 2020

Hello, dear readers. I don’t think I have to go into much detail when I say there’s a lot of shit going on in the world lately, and not much of it is good. In …

10s Essentials – Volume One

Surely by now you’ve gotten the hint that the Last Rites collective is a fan of “Best of Lists.” Not just year-end lists, but BIG lists that yank full decades through our extremely sophisticated and …

Aara – En Ergô Einai Review

Here’s something that sounds like a shitty non sequitur of a lead-in to a review of an excellent black metal album: The quest for perfection often inhibits the quest for betterment. We want the best …

Fughu – Lost Connection Review

When I reviewed Fughu’s debut album in 2009, I said of it, “On nearly every count, it can be said that Absence channels Dream Theater’s most famous (and, arguably, best) work, Images & Words.” Looking …

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