Subterror – Antropomortum Review

It probably says something about me, but I find some comfort in the sound of filth – there’s magic in the audible grime that coats quality crust. Cross that with the power of extreme metal,

Indesinence – III Review

Doom/death is a fickle thing. The interesting thing about the template laid out a quarter-century ago is that it was always a ramshackle synthesis. For all the gothic grandeur that the Peaceville 3 aspired to,

Wooden-Stake-A-Feast-Of-Virgin-Souls

Fast Rites – Volume 4

The dog days of summer are here, and that’s usually reflected in a lighter than normal release schedule from record labels. August is going to be ANYTHING BUT with a slew of releases from major

Unleash The Archers – Time Stands Still Review

To me, the enjoying of power metal comes down to a couple of factors: One, does the music feel passionate, feel fiery, feel…well, powerful? Do the songs soar? Do the melodies stick in the brain?

Author & Punisher – Melk En Honig Review

Welcome to the bespoke machine apocalypse. If Tristan Shone’s music as Author & Punisher has been on your radar at all, you likely know that the sounds of Melk en Honing are formed by custom

Cradle Of Filth – Hammer Of The Witches Review

Though in some sewer-dwelling internet circles it may still be possible to earn your in-group stripes by shitting on Her Majesty’s Merriest Misfits, if you are of the opinion that Cradle of Filth is not

Khemmis – Absolution Review

Let’s get to the point: Absolution is a promising debut album all but ruined by its laughably out-of-place harsh vocals. On paper, Denver’s Khemmis is an appealing proposition: their fuzzed-out tones and love for Lizzy-descended

Svärta – Sepultus Review

Sepultus, the full length debut from Sweden’s Svärta, is a bit of a mess of a record. At its core, it’s a whirring cacophony of unholy black/death racket, nearing war metal’s confrontational blur of sounds,

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