Avichi – The Devil’s Fractal Review

At what point is black metal too nice? Orthodox black metal basically begs this question every time it rears its ever-so-serious head. The paradoxical beauty of much of this movement of the past half-decade or

Today Is The Day – Pain Is A Warning Review

originally written by Jim Brandon Ever since the 1999 release of In The Eyes Of God, Today Is The Day has chosen a path of relentless battery over the psychotic brain-fuckery of everything up to

Benighted in Sodom – Reverse Baptism Review

Not long ago one of my esteemed colleagues (that would be His Royal Danhammer of House Obstkrieg, First of His Name) reviewed an album that he could honestly recognize the quality of, but just couldn’t

Manilla Road – Playground Of The Damned Review

I realize it’s an absurd comparison, especially considering the fact that I’ve never been a parent, but I imagine I’d have nearly as difficult a time rating one of my children as I do a

All Shall Perish – This Is Where It Ends Review

All Shall Perish‘s fourth full-length, This Is Where It Ends, contains about as much excitement as those minute-long YouTube videos in which narcissistic Wal-Mart goers place themselves in front of a camera and begin jiggling

90s Essentials – Volume Four

Considering the album that sits atop this list, Volume 4 of MetalReview’s 100 Most Essential Albums of the 90s could very well just be titled EPIC WEEK. With major classics of folk and Viking metal

Unkind – Harhakuvat Review

Finland’s Unkind makes their Stateside debut with their fifth record, Harhakuvat, released on Relapse. Akin to crusty d-beat acts Tragedy and Wolfbrigade, with a more than hefty dash of Neurosis, Unkind shines when channeling the first

Immolation – The 90s Essentials Interview

[Welcome to Part Three of MetalReview‘s interview series featuring artists included in the 100 Most Essential Albums of the 1990s. In this edition, we speak with Immolation guitarist Robert Vigna about the band’s seminal debut, Dawn

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