Hardingrock – Grimen Review

Originally written by Keith Fox. Don’t approach this album like I did, noting the presence of both Ihsahn and his wife (Star of Ash) and expecting either a continuation of the now retired Peccatum project with a

Hacksaw To The Throat – Wastelands Review

Originally written by Erik Thomas. Synopsis: There is no synopsis I can write that can succinctly describe this album in one short, witty sentence, so just keep reading… Review: Very rarely am I stumped by

Dark Forest – Aurora Borealis (Reissue) Review

Originally written by Jason Jordan. While I’m not knowledgeable enough to write a paper about the seemingly minute differences between battle, heathen, pagan, and Viking metal, I know what I like, and I like the

Deathevokation – The Chalice Of Ages Review

Crude, gurgling beasts with weeping eyes struggling to pull free from slimy alien webbing. Dark, freezing oceans packed with stormy waves crashing on mountainous shores that hang heavy with centuries of moss. Inverted priests gazing

Suicide Silence – The Cleansing Review

Originally written by Erik Thomas. Synopsis: As kids playing brutal deathcore rises to a saturated reeeee-filled crescendo, at least bands like Suicide Silence are doing it well enough to be respectably heavy and not inject childish immaturity

Darkthrone – F.O.A.D.

Originally written by Jordan Campbell Unlike my esteemed colleague, I’m no Darkthrone aficionado. Other than their early 90’s necrotrinity (which, honestly, doesn’t strike me in the way that classic albums should) I’ve watched the duo’s career fly

Tombs – Tombs Review

Originally written by Tyler Wagnon. Brooklyn, NY’s Tombs is a three-piece featuring Mike Hill (ex-Anodyne, ex-Versoma) on vocals and guitars, Justin Ennis (The Heuristics) on drums, while Dominic Seita (Speedloader) rounds out the band on bass. Hill

Alcest – Souvenirs D’un Autre Monde Review

Originally written by Jason Jordan. Known for his work with Amesoeurs, Mortifera, and Peste Noire, Neige’s least metal project Alcest has oddly enough generated more buzz than the others. While 2004’s Le Secret contained Burzumian screams on “Elevation,” the full-length Souvenirs d’un Autre Monde,

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