Category: Reviews

Tankard – A Girl Called Cerveza Review

The Kings Of Beer Metal belly up to the bar for another round… And like you’d imagine, it pretty much ends up like the last few, but that’s hardly a bad thing. We get some

Unconsecrated – Awakening In The Cemetery Grave Review

Like their fellow Spaniards in Graveyard, Unconsecrated looks to their northeast for inspiration. This is death metal done the Swedish way, with the appropriate buzzsaw tone and d-beat-leaning drum beats. Awakening In The Cemetery Grave

Rumpelstiltskin – Grinder Ghostmaker Review

Originally written by Jordan Campbell It’d be easy to dismiss a band like Rumpelstiltskin Grinder. Their lackluster debut record, Buried in the Front Yard, didn’t do much to lend credibility to these absurdly-monikered Pennsylvanians. Plus,

Necrovation – Necrovation Review

Necrovation‘s debut full-length dropped in 2008 amidst a near metric-ton of other bands re-re-re-treading the old tenets of Merciless/Nihilist/[ye olde Swedish death metal band of yore]. But Breed Deadness Blood managed to pierce through the

UFO – The Chrysalis Years 2 1980-1986 Review

By and large, with a few notable exceptions, the turn into the 1980s was not kind to the giants of 70s hard rock. Metal pioneers Black Sabbath spun out of their nosedive with a new

Borgne – Royaume Des Ombres Review

There is a very fine line between writing atmospheric music that is immersive, entrancing, and distinguished, and that which is downright boring. Switzerland’s project Borgne spends much of Royaume des Ombres on the less favorable

Avenger – Bohemian Dark Metal Review

I have a shameful confession, dear readers: I was really expecting Bohemian Dark Metal to be mediocre. I had never heard of the band before, and the album just sort of arrived with little fanfare

Chaos Inception – The Abrogation Review

According to the promo sheet that accompanied the digital copy of Chaos Inception’s second album, The Abrogation, the Alabama quartet is “dedicated to the destruction of the current death metal paradigm and a return to