Attic – The Invocation Review

Birth in a cemetery or GTFO. One of the key factors any long-time fan of King Diamond will quickly highlight when attempting to explain their indestructible enthusiasm for the man’s varied works is the inherent

Kowloon Walled City – Container Ships Review

Originally written by Jordan Campbell Sludge is one of the laziest, most stagnant subgenres in heavy metal today. Plagued by predictable compositions and gormless bellowing, it’s been mired in an amateurish rut for years. Sure,

A Devil’s Dozen – Judas Priest – Volume 1

When it comes to bands that should need no introduction to metal fans, Judas Priest is near the top of the list. In terms of shaping the sound — and indeed, the image — of

Rotten Sound – Species At War Review

Species At War is eight minutes of rapid-fire, rabid, and fiery grinding, a six-song stopgap to fan the flames before the next full-length firestorm from a band that’s currently at the top of the grindcore

Deceptor – Chains Of Delusion Review

When this six-track EP first fell into my lap, I expected Deceptor to be more of a trad metal beast. Chains Of Delusion is released on Shadow Kingdom Records, for one, a label responsible for

Witch Cross – Fit For Fight (Reissue) Review

I suppose if you’re only gonna release one record, you’d better make it a winner. And if time and legend mostly overlook it, well… I guess that’s just how it goes sometimes… For Denmark’s Witch

Crowned – Vacuous Spectral Silence Review

There’s a term used by sports analysts called “upside,” meaning that a prospect is often not judged based on current production, but what they could potentially become. It is why a baseball team will often

Aeon – Aeons Black Review

Originally written by Jordan Campbell Aeon‘s career trajectory is something of an extended plateau. Their debut, Bleeding the False, shot them to notoriety, and not just due to the juvenile blasphemy of “God Gives Head

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