Furze – Psych Minus Space Control Review

If there is one word that is practically unavoidable in any discussion of the Norwegian band Furze, that word is “weird.” To put it plainly, Woe J. Reaper, Furze’s prime mover, is a bona fide

Anathema – Weather Systems Review

Originally written by Rae Amitay Some bands grow so close it’s as if they’re a family, but Anathema is literally comprised of two broods (three members of the Cavanaugh clan, and two from Douglas) that

Poison Tongues – Agoraphobic Nosebleed

In this bimonthly column, staff writer Doug Moore takes a very close look at extreme metal lyrics. Some will be serious, some will be silly, but they’ll all go under the microscope. Scott Hull has

Nocturnal Torment – They Come At Night Review

Nocturnal Torment is another death metal band out to prove that old-school is the only school, with its debut, They Come at Night. While my ears are admittedly growing weary of the endless stream of

Electrocution – Inside The Unreal (Reissue) Review

The Italians gave the world the Renaissance, the Mafia, the Vatican (which they can keep), the battery, the radio, the piano, eyeglasses, newspapers, the concept of the ambulance, and this, the first album by overlooked

Enthral – Obtenebrate Review

Seeping and slithering in the dark corners of the Norwegian black metal scene, Enthral has remained quite unnoticed since its creation in 1995. Seventeen years and only four full-lengths later, Gunnhild Bratset and Kjetil Hektoen,

Spirit Descent – Seven Chapters In A Minor Review

Doom must cringe a little whenever somebody calls some rendition of it progressive. Of course, doom can be done with progressive flair, but the idea that it can be pushed, pulled, dragged outside its boundaries

Pelican – Ataraxia/Taraxis Review

Originally written by Rae Amitay Pelican has been producing their somewhat bland brand of instrumental post-metal/rock for a decade, and while it’s nothing I would deem as being particularly innovative, their music has a sludgy

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