All posts by Jeremy Morse

Riffs or GTFO.

Brutally Deceased – Dead Lovers’ Guide Review

Brutally Deceased takes its name from a Grave song, and that is not the only thing the band takes from Grave and its Stockholm death metal compatriots. Never mind that Brutally Deceased hails from the

Noctum – The Seance Review

Remember Witchcraft? That band was all the rage in the middle of the last decade, and I thought Witchcraft’s retro-doom/rock was some pretty hot shit, myself. Sadly, nary a peep has been heard from Witchcraft

Question Of Madness – The Dark Corners Of The Mind Review

Question of Madness is the brainchild of former The Chasm bassist Alfonso Polo. The band’s ties to The Chasm run deep:  Question of Madness’s debut The Dark Corners of the Mind was released on Chasm mainman

Solace Of Requiem – The Great Awakening Review

Despite a moniker tailor-made for doom metal, the Virginia-based trio known as Solace of Requiem, in fact, plays death metal.  The band’s third album, The Great Awakening was actually recorded in 2008, but the act,

Offending – Human Concept Review

Human Concept is the debut album from French brutal death metal act Offending, and it bears all the marks of a typical brutal affair: rampant blast beats, double bass and dozens of riffs per song. Offending, however,

Acid Witch – Stoned Review

Acid Witch, everyone’s favorite psychedelic / Satanic / horror / doom / death metal band, has brewed up another cauldron full of cavernous growls, spooky organ licks, wailing solos and anvil-heavy riffs. Though there has

Elliott’s Keep – Sine Qua Non Review

Elliott’s Keep’s debut, In Medias Res, was for me one of those pleasant surprises that makes this reviewing gig worthwhile. As a conservative estimate, I would say that 80% of the albums I review never

Hail Of Bullets – On Divine Winds Review

With Bolt Thrower on an indefinite studio hiatus, it is a comfort to have Hail of Bullets around to keep the world flush with high quality, war-themed death metal. With its second record, On Divine