Downcross – Hexapoda Triumph Review

Of all the criticisms thrown at black metal, the lazy, tired “black metal has no riffs” argument is easily the most likely to jerk the eyeballs of anyone with any experience in the style involuntarily

Staff Infections – March 2022

Welcome, friends, to the March 2022 edition of Staff infections, your monthly glimpse into the listening habits of your pals here at Last Rites. Last month I expressed my hope that Vladimir Putin’s threatened invasion

Iron Griffin’s Storm Of Magic: One More Case For True Metal

[Cover artwork by Oskari Räsänen] Iron Griffin’s Storm of Magic is one of the mightiest true metal albums you’ll encounter in 2022. [[KLAXON]] Just what the hell do you mean by “true” metal, you bastard.

Luzifer – Iron Shackles Review

“But metal must be evil!” they wailed, fingers clutching their obsidian pearls. “It’s about darkness and despair!” they protested, all the while missing the true power that lies within the heart of the music. Certainly, heavy

Sabaton – The War To End All Wars Review

There’s something strangely exotic about a band as committed to its aesthetic as Sabaton. Appreciating the differences from one album to the next is less about stylistic shifts than about pace and tone. Not that

Messa – Close Review

If I were forced to pick a single word to describe Messa’s third album, Close – just one word – it would be patient. Don’t mistake me: Messa’s doom is not slow or directionless or

Sanhedrin – Lights On Review

[Artwork by SeventhBell / Jack Welch] We all have those certain bands we champion like heroes and attempt to push into the lives of virtually anyone lucky enough to coexist in our sphere. And when

Hath – All That Was Promised Review

[Cover art by Adam Burke] BIG There is no shortage of styles of music or bands that want to make their songs feel and sound big. Common approaches to doing so include adding orchestral elements,

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