Anderson / Stolt – Invention Of Knowledge Review

“See light… Soul light…” I wouldn’t exactly call myself a morning person, but this morning, due to a confluence of abnormal events, I found myself awake at dawn. Sitting on my back porch, watching the

Astrophobos – Enthroned In Flesh Review

Remnants of Forgotten Horrors, the 2014 full length debut from Sweden’s Astrophobos, really positioned the band as one of the great new acts in the whole Blue Cover Black Metal style—that being the icy melodic

A Devil’s Dozen – Hypocrisy

Throughout the 1990s, few European metal bands were as consistently great, deceptively complex, and downright catchy as Sweden’s Hypocrisy. From their earliest, more purely death metal days of Penetralia and Osculum Obscenum through to their

Blood Incantation – Starspawn Review

Autopsy, Baphomet, Immolation, Cannibal Corpse, Mortician, Goreaphobia, Suffocation, Deceased, Lucifer’s Hammer and Radiation Sickness, with the small sticker toward the bottom tossing in Repulsion, Incantation and Disharmonic Orchestra for, I don’t know, dramatic effect. Ten

necromancing_the_stone_jewel_of_the_vile

Necromancing the Stone – Jewel of the Vile Review

Some things in life are meant to be fun. Sex is one example that immediately comes to mind. Sports are also fun. Some people like to enjoy a brisk walk in the park while others

Diamonds And Rust – Exploring Metal Classics: Riot – Fire Down Under

This reviewing gig exposes me to a lot of new metal, for free, and that’s great. But you know what I like more than discovering new metal? I like discovering old metal. For whatever reason,

Marsh Dweller – The Weight Of Sunlight Review

Marsh Dweller is the solo project of John Owen Kerr, drummer for Louisville’s Seidr, among a few other projects. The fact that Seidr also has amongst its ranks Austin Lunn (Panopticon) ought to be a

Vanhelgd – Temple Of Phobos Review

The open question: Do Vanhelgd play fashionable death metal unfashionably, or unfashionable death metal fashionably? On the one hand, Vanhelgd’s melodicism and (in particular) the potently reverbed vocals sometimes suggest a kinship with such peripatetic

Browse Categories