Howls Of Ebb – Cursus Impasse: The Pendlomic Vows Review

There’s great virtue in music that can appeal to different parts of the listener’s psyche all at once, teasing different moods, emotions, and styles without ever having to be obvious about it. Candlemass was as

Ihsahn – Arktis. Review

Originally written by K. Scott Ross. Ihsahn is many things to many people. The father of modern black metal. The killer of TRVE black metal. Master of interlocking jigsaw riffs. International sex symbol. Musical genius. Overrated

Cult Of Luna And Julie Christmas – Mariner Review

The received wisdom is that post-metal is dead. Regardless of one’s affinity for the style, it shouldn’t be terribly controversial to note that we are now more than a decade past the most creatively fertile

Fast Rites – Volume 7: The One (Mad)Man Binge and Purge

There were a number of albums that came across my desk as I pondered what I would follow up my review of Prong’s latest with. Some garnered more interest than others; some were destined to

R.I.P. Merle Haggard (1937 – 2016)

This is one of the most difficult things I’ve ever had to write, right up there with eulogizing Ronnie James Dio. Strangely, shortly before the news of each passing, I had just reaffirmed that they

Necrot – The Labyrinth Review

Punishing, savage, treacherous, merciless, bloodthirsty, bulldozing, butchering, buzz-sawing, spine-rupturing, bludgeoning, battering, primitive, old-school: All descriptors that threw all-too familiar punches toward the eyes, sternum and gut as I read the accompanying email for this promo.

A Devil’s Dozen – Root

Along with Master’s Hammer, Root helped to define Czech black metal in the late 80s and early 90s. Through a series of demos and early albums, the band crafted a raw, ragged, and riff-centric approach

Metal Isn’t Dead, You’re Just Lazy

In the beginning of 2013, I joined Twitter, and in the years and months since, I have gained a wider appreciation and scope of the metal underground as it relates to blogs, journalism, and the

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