Savage Master – With Whips And Chains Review

*Extremely quiet museum docent voice* “Well, ladies and gentlemen, it’s a little-known fact, but the band Savage Master took their name from the French ‘Ça Va-Je Mas Terre’, which is a supremely sophisticated name that

Morgue Supplier – Morgue Supplier Review

Morgue Supplier is a Chicago-based grindcore act with a lengthy career, but precious little recorded material to show for it. Formed in 1997 as Jugular Appetizer, and assuming its current moniker in 1999, the band

Wobbly Metal Comics – Russell Himmel, Power Metal Fan

Wobbly Back Issues @WobblyMetal This Month’s Inspirational Playlist: 1. Hammerfall – Glory to the Brave 2. Primal Fear – Rulebreaker 3. Gamma Ray – Land of the Free 4. Lost Horizon – Awakening the World

Sinistro – Semente Review

Semente is the second full-length from Portugal’s Sinistro, but the first full-length with vocalist Patrícia Andrade as an official member of the band. (Sinistro and Andrade collaborated on a 2013 release before she joined.) Stylistically,

victims_sirens

Victims – Sirens Review

Swedes have forever been at the forefront of the d-beat movement, taking inspiration from the incomparably influential Discharge with bands like Rude Kids, KSMB (En Slemmig Torsk), Missbrukarna and Mob 47 (to name a few). Historically, the Swedish

Howls Of Ebb – Cursus Impasse: The Pendlomic Vows Review

There’s great virtue in music that can appeal to different parts of the listener’s psyche all at once, teasing different moods, emotions, and styles without ever having to be obvious about it. Candlemass was as

Ihsahn – Arktis. Review

Originally written by K. Scott Ross. Ihsahn is many things to many people. The father of modern black metal. The killer of TRVE black metal. Master of interlocking jigsaw riffs. International sex symbol. Musical genius. Overrated

Cult Of Luna And Julie Christmas – Mariner Review

The received wisdom is that post-metal is dead. Regardless of one’s affinity for the style, it shouldn’t be terribly controversial to note that we are now more than a decade past the most creatively fertile

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