Eight Bells – Landless Review

Originally written by K. Scott Ross. It’s almost a truism of heavy metal that we have lost the loudness wars. Too often modern music gets compressed to Hell and back again before being laminated with

Pass The Carrots, Please – A Provocative Lugubrum Primer

One of the most considerable windfalls afforded by the second wave of black metal in the early 90s was the fact that it provided a harsh and crucial reconnection with metal’s Primordial Soup. That’s not

Oranssi Pazuzu – Värähtelijä Review

When Oranssi Pazuzu‘s debut album, Muukalainen Puhuu, touched down in 2009, it was a shock to hear such a fully formed vision. Despite the fact that plenty of black metal bands had exploded the genre

Borknagar – Winter Thrice Review

Originally written by K. Scott Ross. I have a very particular idea in mind of what makes a good Borknagar album: the listener should be able — perhaps even compelled — to sing along to

Graf Orlock – Crime Traveler Review

I remain an ardent supporter of physical media. I don’t feel like I really own an album unless I can hold it in my hands, and though I don’t always go in for every special

Septagon – Deadhead Syndicate Review

Germany’s Septagon goes for the trad metal splicing approach on their debut, Deadhead Syndicate. While this is indeed a debut, three of the four instrumentalists are current or former members of long-running power/progsters Lanfear, and

Megadeth – Dystopia Review

There’s almost no good reason anymore to discuss Megadeth’s last two decades. But I guess we sort of have to… Either you started with the band in their prime, their mostly classic run from the

Aluk Todolo – Voix Review

How do you know what music is about? It seems like a silly question, but the answer often strongly influences how one experiences a given piece of music. The easiest clue is usually lyrical: if

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