Electric Wizard – Black Masses Review

originally written by Chris McDonald Electric Wizard has long been a major player in the doom scene, and their influence in their own style, as well as their ability to pull in fans from metal’s

Ufomammut – Music As A Religion

Originally written by Juho Mikkonen Although the plate of underground metal is full of impassioned zealots who seem to do nothing but harness all their energy to bring new pieces of art into being, only

Dawnbringer – Nucleus Review

I suppose the single positive thing about being a dirty polecat and dragging my feet in regards to getting this review out in a timely manner is that it’s given me an opportunity to cull

Phobia – Unrelenting Review

Seventeen songs… Fourteen minutes… If you didn’t already know what you’re getting from a Phobia record, that alone should tell you: this is grindcore, pure and simple; it’s d-beat-fueled, blast-filled and violent. This SoCal four-piece

Slough Feg – The Animal Spirits Review

If you are one of the few visitors to this site who has somehow avoided our near-cronyism levels of praise for The Lord Weird Slough Feg, fear not, as a necessary description and history follow.

Triosphere – The Road Less Travelled Review

Even if all the opportunistic carbon-copy acts in heavy metal’s recent history leave you less than excited about throwback sounds, it’s hard to deny the retro appeal when those sounds reflect a heartfelt bond with

Agalloch – Marrow Of The Spirit Review

In 1994, the Norwegian band Ulver lit a fire with the release of their uniquely composed folk metal album, Bergtatt – Et Eeventyr I 5 Capitler. Although small, this flame burned uncharacteristically bright within the

Ion Dissonance – Cursed Review

Originally written by Erik Thomas So after the divisive Minus the Herd that saw Canada’s Ion Dissonance forsake their oppressively heavy, chaotic strains of Breathing is Irrelevant and Solace in favor of a more controlled (though

Browse Categories