Bloodletter – Malignancy Review

Fast Rites: because sometimes brevity is fundamental. “Resist my rule and meet my axe!” That line from “Skullsplitter” might as well be Bloodletter’s motto moving forward. Partying or railing against societal ills is all well

Blast Rites: Hulla – The Recovery Review

Finally, someone uses another part of that Oppenheimer quote… We’ve heard that whole Baghavad Gita bit a hundred times – “Now I am become Death, destroyer of worlds” – but honestly, I don’t know that

Lathe – Tongue of Silver Review

Sound has a mind of its own. That’s a pretty thought, isn’t it? It’s completely wrong, but maybe an easier pitch is that sounds can become so freighted with contextual baggage that they summon entire

Ernia – How To Deal With Life And Fail Review

[Cover art by Xabier Sagasta] The orthodoxy of grindcore means that pushing too far away from the core will often lead to a band no longer being considered part of the genre (see: Wake). That

Unholy Grave – Total Agathocles Review

A question, dear reader: You ever have a band or a record that, upon first listen (or second, third, tenth, or more), you don’t understand or “get,” or simply don’t like at all, but then

Blast Rites: Guineapig – Parasite Review

Think that grindcore is all about unrelenting aggression and speed and blastbeats? Well, I mean, yeah, sometimes it is… More often than not, even… I can see how you would think that. But my point

Castrator – Defiled In Oblivion Review

[Cover artwork by the inimitable Jon Zig] I’ll be honest and quickly admit the following right from the jump: For reasons having zero to do with the actual quality of the release, I have spent

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