Rev’s Top Six After Six – Not Everything is Awesome

Originally written by Jordan Campbell Thus far in 2014, I’ve enjoyed six albums. Six. Not total, mind you. I’m still mining the musical history of the Earth, finding not-so-hidden gems with damn near every brushaway of

The Best Of What You’ve Missed In The First Half Of 2014 – Part 1

It’s halfway through the year, and summer has just begun. For many of us, summertime is prime heavy metal season. There’s something about cranking up the riffs when the sun is shining and meat is

The Atlas Moth – The Old Believer Review

Originally written by Dean Brown. While most of the music you hear on a daily basis can be easily slotted into neat categories for descriptive purposes—and nine times out of ten it is done at

South Of Heaven – A History Of New Zealand Extreme Metal

Astute Last Riters may have noticed that New Zealand correspondent Craig Hayes has been relatively quiet of late, at least on these pages. Elsewhere, however, he’s been getting loud. Recently, he produced and presented an

Lantlos-Melting-Sun

Lantlôs – Melting Sun Review

Originally written by Jordan Campbell Lantlôs will always be tied to Alcest. Neige provided vocals for the project’s most prominent releases (to date), so comparisons are unavoidable. But while Alcest’s praises were humming on the lips

Fallujah – The Flesh Prevails Review

Originally written by Chris Redar 2014 has already brought us some stunning tech-death releases. From Inanimate Existence’s latest to… okay, 2014 is like every other year as far as tech-death goes. It’s a tough genre

Out Of Step Dispatches – July 2013

Originally written by Ian Chainey ¡VIVA LA COMP! Whoa, whoa, whoa. Alt-Ian stepping in. So, surprise, surprise, the comp-dork is dropping another Various Artists stew in our laps. Wonder how it’s going to play out

Corrosion Of Conformity – IX Review

Originally written by Matt Longo In many respects, legacies mean jack shit — especially when faced with the prospect of releasing new material and touring on its strengths to pan-generational audiences. But true to form

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